Reviewed by: Merlin Harries. The following report from Schrader betrays Fincher-level obsessiveness with letting the mise-en-scène do the work: "Ozu's actors report that he would force them to do the same scene twenty or thirty consecutive times until any hint of nuance or subtlety had been frozen into rote, automaton-like action, and only then would he approve the scene for final shooting. On a late autumn day in the hills around my hometown; Fog, trees, silence. Eye For Film >> Movies >> Late Autumn (1960) Film Review Late Autumn. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. Acquisto verificato. Yasujiro Ozu has fun with a group of old friends who bumble through some ridiculous attempts at matchmaking in Late Autumn, a lighthearted yet poignant look at how people with the best intentions can sometimes make a … Late Autumn (South Korea, 2010) “What makes this movie so ambitious is the love story. A small, quiet but perfectly poised film about family relationships that distills Ozu's static style into an appealing and accessible comedy-drama. And that too in the unfamiliar city of Seattle. Formal and restrained - the sort of cinema that demurely keeps the audience at arm's length. Nothing is done to detract from the tranquility this equilibrium is meant to produce. Watched Aug 02, 2020. lina’s review published on Letterboxd: Sasaki Yuriko. Empty. ... Leica SL2-S initial review. Recensito in Germania il 8 luglio 2002. Late Autumn. Copyright © Fandango. Get the freshest reviews, news, and more delivered right to your inbox! I was lucky to get a ticket, which I booked because I had previously seen and enjoyed two productions by Kim Tae-yong (including a Q&A with the man himself, in which he came across as rather sympathetic). If it doesn’t work, if you don’t believe it, then the whole thing is a disaster.” Whenever the autumn comes in South Korea, I am reminded of the movie , The Late Autumn(Man-Choo). Facebook Twitter YouTube Instagram Sign up for our weekly newsletter! Sign up here. Late Autumn. CineFiles is a free online database of film documentation and ephemera As an American totally unschooled in the principles of Zen this strikes me as rather a novel sentiment, though in fact it correlates with a popular Japanese concept known as mono no aware ("the pathos of things"), which Schrader describes as a sort of gentle sadness attending the recognition of transience as the reality of life. Though studded with delightful bits of humor, the overriding impression left by Late Autumn (and indeed by each of the three Ozu films I've had the pleasure to see) is one of merited quietude, a profound melancholy born not of self-pity but of a hard-won acceptance of the natural order. Made by fans in Auckland, New Zealand. Not only are actors forbidden to emote a la Bresson, their most casual movements are restricted in order to better cohere with the visual environment. As an aging proponent of time-honored Japanese culture (in particular the tradition of Zen art), Ozu's sympathies tend to lie with the older parties. Submit a News Tip! All rights reserved. and the Terms and Policies, I have never met an angel in my life, but I guess that a beautiful angel's face is very similar to hers. Actors were forbidden to make even natural actions if these disturbed Ozu's composition." To begin with I have no firsthand knowledge of Japanese culture, added to which I am very much a Yasujirō Ozu novice (counting Late Autumn I've now seen three of his films), though perhaps devotee would be a more apposite descriptor since what little I've seen has inspired great interest. That’s it. The coincidental meeting between a Korean man and Chinese woman. The film is surrounded by the close relationship of a mother and daughter, I personally have a very close relationship with my mother so its probably why I find this the most heart-wrenching Ozu film. [slow clap] Block or Report. Film data from TMDb. Late autumn is by far my favourite Ozu film because it’s the one I relate to the most. Olek Młyński. When I watched this movie for the first time, I only focused on the main actress's pure face. Share This! 2,0 su 5 stelle Mostly Autumn - The last bright light. Late Autumn movie reviews & Metacritic score: Anna, an immigrant from China, has been imprisoned after killing her abusive husband in self-defense for 7 … Excluding an abridged, one-sided spat between Ayako and Akiko, this sort of ironic editorial juxtaposition is the closest thing in the film to traditional conflict as perceived by Western audiences. Join here. But it has a mild humour. In Ozu's case this usually involves an intergenerational household, allowing the director and his longtime screenwriting collaborator Kōgo Noda to explore wide-ranging cultural themes through the dynamic microcosm of a single family. In describing his intentions with Late Autumn, Ozu lays out a cinematic aesthetic that stresses the revealing nature of the quotidian, "I want to make people feel what life is like without delineating all the dramatic ups and downs." and to receive email from Rotten Tomatoes and Fandango. Richard is using Letterboxd to share film reviews and lists with friends. When we think of an Ozu film, there is a couple of themes and motifs that immediately spring to our mind. This masterpiece from Japanese auteur Yasujiro Ozu is as subtle and exquisite as anything he ever made, writes Peter Bradshaw. Prominence is given to pictorial balance, featuring artfully concentric framing reinforced by the conspicuous vertical and horizontal axes of doorways and windows. I think Tang-Wei is a great actress. At an annual memorial to mark her late husband's passing, she reunites with a waggish trio of his old school friends—Hirayama (Ryūji Kita), Mamiya (Shin Saburi) and Taguchi (Nobuo Nakamura)—who assume the position of nosy matchmakers after advising Akiko on the importance of getting her daughter hitched. Late Autumn - Review: It is beyond question that 'Late Autumn' will be too lengthy and emotionally distant to your average audience. Forgot your password? Late Autumn Review. Late Autumn 1960 ★★★★★ Rewatched May 06, 2020. trolleyfreak’s review published on Letterboxd: *Ozu In Colour: #2* The eyes give her away every single time.. 951e4793-e2a2-4ab8-9f5f-9e506f0dcd5d The second half of September saw typically mild and unsettled weather with occasional still nights, before a strong easterly airflow set in late on in the month. Though I will spare you an entire reformulation of his thesis, I will reference certain subjects regarding Ozu's work and Japanese culture more broadly; all of these subjects were gleaned from Schrader's indispensable volume. Joan Colby is the author of seven published books including The Lonely Hearts Killers, The Atrocity Book, etc. A major such theme that usually goes unspoken but is clearly at play in Ozu's films (including Late Autumn) is the generational divide exacerbated by the modernizing influence of the United States in post-war Japan, represented through the prioritization of personal independence over familial obligation common to youths of the après-guerre generation. Naturally this doesn't come off quite as anticipated, but a combination of sage counsel and life experience enables all parties to receive their fortune with a measure of equanimity. Ozu's advocacy of the Zen emphasis on unity between man and nature is every bit as evident through his compositional practices as it is through the screenplays of his films. When Anna's husband confronts her about their relationship a terrible fight ensues. Still he is far from a curmudgeon—or worse yet, a reactionary; instead Ozu gently undermines younger characters' appetite for individuality by subtly stressing the impermanence and triviality of human life—especially when in a state of disharmony with their environment (e.g., cutting to a static shot of a majestic mountaintop following a petty quarrel). Watched It is a happy, handsome film, one of only five that Ozu made in colour. Block this member This member is blocked; Report this review; lina liked this review. Im Uriah Heep Magazin wurde Mostly Autumn als "die" Band angekündigt; andere Rezensoren lobten sie in den Himmel: Da wurde ich neugierig und kaufte mir The Last Bright Light... und war sehr enttäuscht. Late autumn is a literary film, has all the characteristics of the literary film: less number of actors and actors’ line and slow speed of the plot. Rather than simply letting the matter drop, the intrepid Cupids conceive a double marriage plot in which their own resident widower (Hirayama) will wed the winsome Akiko, thus paving the way for Ayako's marital bliss. A wry, melancholic look at post-war Japanese society. BUSAN, South Korea -- There's something not right with a film when the interludes are more interesting than the central setpieces. Don't have an account? The struggles between the generations pre-date the clashes of the late nineteen-sixties. Anna Chen's highly jealous husband discovers that Anna has rekindled a relationship with her first love. Please enter your email address and we will email you a new password. Review: Autumn Leaves. Late Autumn lacks the sublime final moments of Late Spring, but Ozu seems more relaxed, more reflective and more in control here. Late Autumn was a late addition to the London Korean Film Festival, but sold out quickly. To this end I recently sourced and devoured legendary screenwriter/director Paul Schrader's Transcendental Style in Film, an astounding critical survey—undertaken prior to Schrader's Hollywood career—which meticulously analyzes Ozu's films (as well as those of Robert Bresson and Carl Theodor Dreyer) in relation to their cultural and metaphysical origins. Facebook Twitter Reddit. In a 1973 review, Nora Sayre of The New York Times praised the performances of Hara and Tsukasa and wrote, "Love is hardly mentioned when the subject of marriage arises. ... she had remembered her attachment to her late father), Millie’s aloneness is palpable. So, this time next year, they’ll just be starting to take some remedial action. 2020, "It would be ideal if love and marriage always went together, but even if not, life is still worthwhile.". "Late Autumn" by Joan Colby. Ozu regular Setsuko Hara stars as Akiko, a captivating widow approaching middle age while residing amicably with her young adult daughter Ayako (Yôko Tsukasa). Confounding stylistic expectations, he experiments with a variety of transitional devices while structuring the narrative around blocks of linked scenes. Late Autumn (Korean: 만추; Hanja: 晚秋; RR: Manchu) is a 2010 English-language film directed by Kim Tae-yong. Though studded with delightful bits of humor, the overriding impression left by Late Autumn (and indeed by each of the three Ozu films I've had the pleasure to see) is one of merited quietude, a profound melancholy born not of self-pity but of a hard-won acceptance of the natural order. Another of Yashiru Ozu's late masterpieces, to be put beside Tokyo Story as a commentary on Japanese mores that surpass nationality and manage universal appeal. 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