I want to like this movie. All the wonderful talented actors where mocked by the boringness of a thin story and weird long scenes that had no soul to them. Brilliant idea, but somewhat disappointing execution. Mr. Wenders’s camera finds more affinity for Ms. Vikander, even as the narrative lists toward the mounting calamities in Somalia, and James’s struggles to survive them. The movie feints in the direction of confronting horrific geopolitical realities, but there’s a specter of sentimentality hovering above the proceedings, waiting to smother everything in sight. Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide. Absolutely beautiful movie, the chemistry between Dani and James is intense and transcends the screen. I am very disappointed and I didn't expect anything crazy anyways. I loved the opening sequence, it sets the tone. The two meet at a quiet, very high-end hotel on France’s Norman coast, where each is decompressing before a mission. So is the movie, which never met a landscape or building that it couldn't photograph as sensually as a nude, and backs its action with Fernando Velazquez music that suggests a John Barry score for a nonexistent film in which 007 enters rehab. Still, there was a haunting texture to the film that made it compelling to continue watching. An adaptation of J.M. The net effect is to make the source material seem airy and pretentious, and the film somewhat self-loathing, as if it can't quite bring itself to be the thing that it's naturally inclined to be: an escapist swooner about gorgeous people finding each other and then being pulled apart. The best way to describe it is that the book ends, yes, but it never reaches any climax or conclusion as a … In SUBMERGENCE, two people meet at a Normandy luxury beach hotel. Show of hands, who here has visited an art gallery? In the light of recent events happening for the last couple of years, this movie speaks to me on so many different levels. This is one of those book adaptations that just does not translate into a good movie, regardless of Wim Wenders and great cinematography and music and And it does. While I like both of these actors individually, I didn't really feel the chemistry between them. Mr. McAvoy’s man of action (though one who’s almost immediately stymied) is hardly the quintessential Wenders protagonist — that guy is the sulky fellow alone in a room with his stereo, muttering along to the Kinks’ “Too Much on My Mind” (from the classic 1977 “The American Friend”). Submergence is a delicate, melancholic yet thrilling modern poem about love set in our imperfect and violent world. (He asks her what her favorite body of water is, and she says the Atlantic Ocean; she asks him the same question, and he names the human body.) e track upcoming movies through all stages of film production. But Ms. Dignam’s script distills the novel into middlebrow Hollywood treacle. The heroes and antiheroes of his films dart restlessly between continents, between planes spiritual and material, finding themselves with no direction home, if a home they ever had. Submergence (film), a 2017 film by Wim Wenders Submergence (novel), a 2012 book by J. M. Ledgard Submersion (disambiguation) See also. I tried to enjoy it but I kept on sleeping through it. But... after all that waiting, I didn't think the ending was very well done. Many of his pictures, including some of his greatest, are, to put it bluntly, swoony hymns to hetero-normativity. James McAvoy plays James, a British spy whose cover identity as a water engineer he extends to his personal life. Submergence Ending. Ledgard's novel of the same name. McAvoy's character seemed far enough out of harm's way in his escape...then what? Wenders and his cinematographer Benoît Debie showcase their perfect skin and hair and pleasing smiles as they canoodle in bed, walk on the beach, and discuss thematically germane subjects. "Submergence" is based on a rapturously reviewed novel by J.M. as Yusef M-Al-Afghani, Bonded and Unbound: Sean Connery, 1930-2020, Disney+'s The Mandalorian Makes a Valiant Return in Season Two Opener, Amazon's Truth Seekers is Missing Jokes and Scares. It's a simple to understand love story with basic conflict. The startling imagery of lightness and darkness. But as the ending nears, you can't help but think "it better not end like this". It's exactly what it says on the tin. The connection between people, between man and nature and man and religion, all combine to tell a moving story of love, duty, and sacrifice. , a young woman and bad guys ( in this case jihadists) the story takes you to the opposite direction of what a James Bond movie would. The film is eyeing a late March 2016 start of production in Europe and Africa. I found myself locked into the movie, which usually makes it a cinch that I'll rate it much higher than a 6.

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